This series explores interiors that seem suspended between function and memory. Designed for gathering, movement, and spectacle, these spaces instead become strangely detached from the lives they were built to contain.
Stripped of their occupants, architecture begins to reveal a quieter language: repetition, symmetry, light, and silence. Familiar places become difficult to locate emotionally, existing somewhere between monument and dream. I am drawn to the way these environments invite presence while withholding intimacy, reminding us that even the spaces we inhabit most comfortably can remain fundamentally unknowable.
Through these photographs, I hope to reveal how absence itself can become a subject, transforming architecture into a portrait of longing, memory, and the quiet distance between ourselves and the worlds we build.


























Interiors, 2024–2026.
Twenty-six photographs.